Rachel Berenson (
xenamorph) wrote in
dreamcrystals2024-05-13 06:10 pm
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Entry tags:
You take it with you. See ya.
Sender: Rachel
To: Everyone
Which: Passive dream recording
Warnings: Death, blood, child soldiers, serious injuries. Nothing in great detail, but still present..
The environment is sterile. Artificial. She recognizes the interior of a spaceship, but it barely registers to her. All she sees are enemies. Targets. Humans and aliens alike, the lead human barely more than a teenager himself, all concentrating on a viewscreen on the far wall. All oblivious to her presence until she’s nearly finished the transformation into a grizzly bear. Only then does one of them see her and yell the word “Animorph!”
And Rachel’s thought-speak voice, cocky as ever, replies <That’s right, genius: Animorph.>
The bear charges for the leader, barreling into him and knocking him across the room. A burst of light- a laser of some sort- hits her shoulder, but the assault on the boy doesn’t relent until he manages, with great difficulty, to slip past her.
Other animals have emerged from the humans and aliens around her then. Two lionesses, a polar bear, a buffalo- the boy she was after turned into a cobra. Outnumbered five to one, and yet they’re all waiting for her to make the first move.
<Well? Scared? You should be.> She sounds like she’s laughing as she says it.
She charges, and everything goes to hell.
A confusing jumble of violence and chaos. The polar bear goes down first, retreats. The buffalo keeps charging her, but she refuses to stay down. The lions both latch onto her, teeth and claws sinking in to try and drag her to the floor. Another voice, from somebody on the screen, keeps yelling a name, but she can’t respond. The screaming voices begin to blur together, the boy on the screen and the boy in the snake’s body, as she tries to fight against the menagerie arrayed against her. It’s not until a different voice speaks- a voice that those in Reverein might recognize.
<Rachel!>
<Help me, Tobias.>
<I can’t, I->
Urgently, she cuts him off.
<Help me get him! Help me get him!>
Another jumble of voices- directions from Tobias, a swipe of her blood-stained paw, and the snake is impaled, screaming, begging the other boy on the screen for mercy.
<Jake! Stop her!>
And then she bites down on his head, and he stops moving, stops speaking.
Everything gets blurry after that, dimly visible as she struggles to become human again despite the fog of her wounds. And then, once she is, once she spits the broken cobra skull out of her human mouth, she realizes it’s over. An ordinary human, surrounded still- polar bear, buffalo, lionesses. She can’t fight them. She doesn’t have to. She got the job done.
She looks at the screen. Tobias is there- human now. Crying. She tries to smile for him.
“I love you.”
Behind her, a voice says <You fought well, Rachel.> A young man’s voice. The voice from the screen. The wrong voice.
Jake’s voice.
Confused, she turns back around to see a Siberian tiger standing where the polar bear had been, swiping a massive paw at her head.
To: Everyone
Which: Passive dream recording
Warnings: Death, blood, child soldiers, serious injuries. Nothing in great detail, but still present..
The environment is sterile. Artificial. She recognizes the interior of a spaceship, but it barely registers to her. All she sees are enemies. Targets. Humans and aliens alike, the lead human barely more than a teenager himself, all concentrating on a viewscreen on the far wall. All oblivious to her presence until she’s nearly finished the transformation into a grizzly bear. Only then does one of them see her and yell the word “Animorph!”
And Rachel’s thought-speak voice, cocky as ever, replies <That’s right, genius: Animorph.>
The bear charges for the leader, barreling into him and knocking him across the room. A burst of light- a laser of some sort- hits her shoulder, but the assault on the boy doesn’t relent until he manages, with great difficulty, to slip past her.
Other animals have emerged from the humans and aliens around her then. Two lionesses, a polar bear, a buffalo- the boy she was after turned into a cobra. Outnumbered five to one, and yet they’re all waiting for her to make the first move.
<Well? Scared? You should be.> She sounds like she’s laughing as she says it.
She charges, and everything goes to hell.
A confusing jumble of violence and chaos. The polar bear goes down first, retreats. The buffalo keeps charging her, but she refuses to stay down. The lions both latch onto her, teeth and claws sinking in to try and drag her to the floor. Another voice, from somebody on the screen, keeps yelling a name, but she can’t respond. The screaming voices begin to blur together, the boy on the screen and the boy in the snake’s body, as she tries to fight against the menagerie arrayed against her. It’s not until a different voice speaks- a voice that those in Reverein might recognize.
<Rachel!>
<Help me, Tobias.>
<I can’t, I->
Urgently, she cuts him off.
<Help me get him! Help me get him!>
Another jumble of voices- directions from Tobias, a swipe of her blood-stained paw, and the snake is impaled, screaming, begging the other boy on the screen for mercy.
<Jake! Stop her!>
And then she bites down on his head, and he stops moving, stops speaking.
Everything gets blurry after that, dimly visible as she struggles to become human again despite the fog of her wounds. And then, once she is, once she spits the broken cobra skull out of her human mouth, she realizes it’s over. An ordinary human, surrounded still- polar bear, buffalo, lionesses. She can’t fight them. She doesn’t have to. She got the job done.
She looks at the screen. Tobias is there- human now. Crying. She tries to smile for him.
“I love you.”
Behind her, a voice says <You fought well, Rachel.> A young man’s voice. The voice from the screen. The wrong voice.
Jake’s voice.
Confused, she turns back around to see a Siberian tiger standing where the polar bear had been, swiping a massive paw at her head.
no subject
[He really likes her, but this is a part of her that does frustrate him even if he knows he does it too.]
<... It'll be easier if you just tell me. You know there's nothing we can't face together.>
no subject
And more annoyingly, he had a point.]
It's not like you can do anything about it now anyway. And I wouldn't want you to. It was the only way.
[...She sighs and sits up in the bed, rubbing at one eye.]
... Obviously it wasn't really Jake. But... yeah. The rest happened.
no subject
[War is hell. War will always be hell.]
<Jake would never.>
[Unless he got Yeerk'd again, but... yeah. If he were in human morph he'd be staring blankly at her. As it is he just feels numb and jumbled up. How... how is he supposed to deal with this? How is he supposed to go on, knowing that Rachel's dead?]
[He doesn't care about her any less, but the room feels suddenly cold like a ghost's walked through the space. The silence stretches on and on. He's barely breathing - practically frozen in fear.]
[Finally, finally he speaks up again.]
<I hope ->
[His voice breaks off, shaky even in thought-speech.]
<I hope it was as painless and quick as possible. I'm... I'm so sorry I couldn't be there. ... It should have been me instead of you.>
[Sure, Rachel was their fiercest fighter - but Rachel also had family who cared about her. He didn't have anyone. He was disposable. She wasn't.]
no subject
[It comes out cold, hostile. More than she wanted it to. She knows she should calm down, knows he's just worried, but she can't seem to help herself.]
It had to be me. You know it did. You couldn't have done it.
[That was ugly. She regrets it immediately, and it's enough to shut her up.]
no subject
<Maybe. Maybe I couldn't, but you have people who care about you. You have family. You have... you have people who give a damn if you live or die outside of us! And you deserve to live. You deserve it so much more. You have so much more ahead of you. You ->
[Had. She had so much ahead of her. But she doesn't. She doesn't have anything anymore. She has nothing. ... Nothing but this place, at least.]
<God damn it, Rachel. You know I'd sacrifice myself a million times over for you.>
[The poetry of it would be funny, in a way. His father sacrificed himself for them. He'd gladly sacrifice himself for her.]
<You deserve so much better. I know it's a war and that doesn't mean much. I know it's a war and good wishes don't buy anything. And I know it's a war and hoping things were different is about as useful as spitting into a brushfire. But you deserve the world. You deserve to live.>
no subject
And what, you don't? Just because your aunt and uncle are trash? Is that it?
[It was low, and she knows it, but she's too caught up to care. She's breathing raggedly, starting to tear up. No. No, not now, she can't get weak now, she can't.]
I'm not more important than you just because of my family. You have a family too, Tobias. Not just the useless wastes of skin that you left behind. You have an uncle who actually cares about you, you idiot, and you have your mother-
[...and she hadn't told him about that. Nice one, Rachel.
Ignoring it, moving on.]
So don't you dare tell me that you don't deserve to live.
no subject
<My mother's dead.>
[That's what he's been told. That's what he knows. But he 'knew' his father was either dead or a deadbeat and that hadn't been true either, had it? ... He's going to have to pry the truth out of her later and he hates that he has to. But when they both get emotional they both slam shut. It's a defense mechanism to keep from being hurt. It's understandable, but at the same time it's infuriating to be on the other side of.]
<... I. I can't, I just...>
[Everything in him is telling him to leave, to fly through the window and just... get away for a while. Sure, death is a part of life. He kills to eat. He's seen people die. He's killed before. But it's different when it's someone you care about. And it's really different when the dead person is in front of you, telling you they died.]
<What.... what do you need right now? I want to help you but I don't... I don't know what to do.>
no subject
She'd decided early on not to talk about anything he didn't already know. She'd known it would hurt him if he learned what happened to her. She'd known this would-
Ugh, this stupid, stupid dream.
She stares out the window, if only to try and hide the tears. She wasn't going to cry, she wasn't going to let herself cry.]
I don't-
[Need anything, she wants to say. But her throat catches. She takes a breath, tries again. She can't deal with this. She can't.
She can at least tell him the truth now. She owes him that much.]
... The Yeerks found her before we did. She'd been in an accident. She was blind, she had amnesia. You saved her.
no subject
[But she needs him.]
<Okay. ... Okay.>
[He tries to keep his voice even, because he's not sure what he's feeling anymore. It's all... it's a lot. It's a lot.]
<I'm... I'm worried about you right now, though. I don't imagine you want to sleep after that. I can... um. Try to like... make you something to eat? Something simple.>
[As much as he wants to run away, as much as he wants to cry, as much as he feels he can't handle it... he'll hold it together for her sake.]
no subject
I'm not hungry, Tobias, it's the middle of the night.
[She flops back down onto the bed in irritation, which winds up a lot more juvenile than she wanted it to. For a few seconds, she just stares at the ceiling, trying to blink the stupid tears out of her eyes.
She has no idea how to recover her dignity, so she just sighs and moves on, impatiently wiping at her eyes.]
You said you wanted to talk about it, so let's talk about it.
no subject
[He lets her flop - he'd probably do the same in her position. He feels like he's vibrating with nervous tension but he doesn't know what to do. What can he do?]
<I'm not going to ask if you're okay because like... obviously the answer is no. No one's gonna be okay after that kind of thing? I just... I want to know how I can support you. Because as much as you're worried about my reaction to this - and yeah it's... I'm... I'm going to need a while to let all of this sink in? I'm still kind of in shock? But... you've been living with this. You shouldn't have to live with this alone anymore.>
no subject
[She mostly just wanted to stop the stupid useless tears. At least she didn't sound like she was crying, not yet.]
... I had to do it. Tom was too dangerous to leave alive.
[...And there it was. The voice wavered, slightly but audibly. Ugh.
Rachel had never been close to Tom, but he was still her cousin- and he was a fighter. Even after he was taken, he was a fighter.
Must run in the family.
A guy who charged Visser Three just so other people could go free deserved better. It was dirty, what she had to do. What the yeerk in his head made her do.]
I had to.
[It sounds a little less firm when she repeats it. She tries to inhale evenly, but it sounds shaky, it sounds like sniffling.]
no subject
<I believe you. ... I don't know what happened between when I know and when you know, but... it sounds like things escalated really badly. I...>
[... He's got to do it. He hops off of his perch and lands on the floor, morphing human as quickly as he can so he can sit next to her on the bed. He's tearing up but it's... it's fine.]
I'm here. Okay?
[His voice shakes a little.]
I'm here. I'm not leaving you. I'm not...
SEEMS LIKE A GOOD /WRAP sorry I've been so slow.
You don't have to-
[She doesn't bother to finish the statement. Clearly he's going to do it anyway, and she's too tired to manage it. Her head flops back onto the pillow as he finishes morphing, as she feels the weight of him sitting on the bed.]
I'm sorry.
[She tries for a while longer to just breathe evenly and restrain the tears. It doesn't get any better. Finally she just gives up and rolls over so she can rest her head on his lap and get the crying over with.]